Upcoming Events
November 2025
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Attend the closing reception for WERIEM’s L’esprit de Pierrot on Saturday, November 22nd, from 5:00-8:00pm. This series of paintings and drawings explores the enduring spirit of Pierrot—the
Event Details
Attend the closing reception for WERIEM’s L’esprit de Pierrot on Saturday, November 22nd, from 5:00-8:00pm.
This series of paintings and drawings explores the enduring spirit of Pierrot—the iconic French character who embodies poetic vulnerability, theatrical grace, and quiet melancholy.
L'esprit de Pierrot (The Spirit of Pierrot) is not a character study—it is an atmosphere. The works evoke fragility, introspection, and the unspoken drama of being. Each piece exists in a suspended moment between stillness and performance, between reality and reverie. Through subtle gesture and deliberate restraint, the artwork creates an emotional atmosphere that transcends literal representation. The compositions become mirrors, inviting viewers to project their own inner theater onto each image.
With this exhibition, WERIEM invites viewers to pause within these contemplative spaces, to feel the weight of unspoken emotion, and to recognize the delicate ways in which beauty, loss, and imagination intertwine in our daily performance of being human.
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Golden Hour at Epiphany:
Stop by Epiphany for Golden Hour beforehand for free live music, drinks and lite bites in the Café Bar! Doors open at 5pm with 1/2 priced bottles of wine and other specials until 7:00pm
Golden Hour Menu + Music Schedule
Please note that outside food or beverages are not permitted in the venue.
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Attend the closing reception for Community on the Make | Arts of Life 2000 – 2025 (part deux) on Saturday, November 22nd, from 5:00-8:00pm. Following the closing of this
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Attend the closing reception for Community on the Make | Arts of Life 2000 – 2025 (part deux) on Saturday, November 22nd, from 5:00-8:00pm.
Following the closing of this exhibition at the Design Museum of Chicago, Epiphany Center for the Arts is happy to present Community on the Make | Arts of Life 2000 - 2025 (part deux)
“Yet once you've come to be part of this particular patch, you'll never love another... But never a lovely so real.” — Nelson Algren, Chicago: City on the Make
Nelson Algren’s raw love letter to Chicago speaks to the soul of a city made of equal parts beauty and struggle, resilience and reinvention. His words resonate deeply with the journey of Arts of Life—an organization born on the margins and grown into a transformative creative force. For 25 years, Arts of Life has built something “so real”: a studio collective where artists with intellectual and developmental disabilities lead with vision, passion, and purpose.
We quote Algren because his Chicago is our Chicago—not polished, but powerful. Not built for easy consumption, but built to last. And like the city he described, our community didn’t wait for permission to exist—we created our own space.
Community on the Make at the Design Museum of Chicago marks another meaningful milestone in claiming our place within the city's vast creative landscape. Design is about intention—about systems, structures, and the ways people move through the world. Our artists are not only makers of art—they are re-makers of culture. Together, they have designed a new model for what inclusive creative communities can be: one shaped by collective decision-making and rooted in our core values:
- INSPIRING Artistic Expression
- BUILDING Community
- PROMOTING Self-Respect
- DEVELOPING Independence
This group exhibition is a celebration of what we’ve accomplished—but also a provocation. It asks us to reconsider: Who is art for? Who gets to shape culture? And how can design become a tool of liberation? Community on the Make highlights artists, staff, and volunteers both past and present who have shaped our community while also allowing the public to contribute and engage in the exhibition. Community on the Make is not just a reflection on where we’ve been. It’s a declaration of where we’re going.
Featured Artists
Ariée, Chris Austin, Renata Berdes, Raina Carter, Guy Conners, Veronica Cuculich, Ted Gram Boarini, Stefan Harhaj, Noel Herrera, Nik Heusman, Marcus Imani Kennedy, David Krueger, Lawrence M, Ben Marcus, Mike Marino, Susan Pasowicz, Hubert Posey, Brian Reed, Alex Scott, Kelly Stone, Tim Stone, Maria Vanik, Chris Viau, Allison Wade, Jean Wilson, Marvin Young, Christina Zion
Arts of Life advances the creative arts community by providing artists with intellectual and developmental disabilities a collective space to expand their practice and strengthen their leadership.
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Golden Hour at Epiphany:
Stop by Epiphany for Golden Hour beforehand for free live music, drinks and lite bites in the Café Bar! Doors open at 5pm with 1/2 priced bottles of wine and other specials until 7:00pm
Golden Hour Menu + Music Schedule
Please note that outside food or beverages are not permitted in the venue.
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Attend the closing reception on Saturday, November 22nd, from 5:00-8:00pm. My 1.5 year old son says only a handful of words- wow, momma, daddy, ball, truck, fraise,
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Attend the closing reception on Saturday, November 22nd, from 5:00-8:00pm.
My 1.5 year old son says only a handful of words- wow, momma, daddy, ball, truck, fraise, ciao. The week I committed to this exhibition at Epiphany, he added a new word: birthday.
Birthday is about how scary it is to begin. The first scream, first smile, first word, first step, first fall. The moment my son was born I was certain I was dying. In the days and months that followed it still wasn’t clear as we existed in a new web of pain, euphoria and wonder. It helps to have something to hug, something to hold you up. A live camera is positioned above the crib and I watch my son sleep.
A birthday is a celebration, a renewal, but also a reckoning. Sometimes counting up feels like counting down, and the beginning is also an ending. The work in this show is holding on and letting go. The subject matter appears familiar, a stuffed animal, a lifejacket, stills from the baby monitor. Materials in the show include silk, human hair and hair salon foils. Having grown up in a hair salon, these objects and images anchor me to my own childhood, my own history of birthdays and time passing. The week Birthday opens my son will turn 2.
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Golden Hour at Epiphany:
Stop by Epiphany for Golden Hour beforehand for free live music, drinks and lite bites in the Café Bar! Doors open at 5pm with 1/2 priced bottles of wine and other specials until 7:00pm
Golden Hour Menu + Music Schedule
Please note that outside food or beverages are not permitted in the venue.
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Attend the closing performance for Liz McCarthy’s Imperfect Players on Saturday, November 22nd, from 5:30-6:00pm. ________ Imperfect Players is a collection of ceramic vessels that can be performed as
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Attend the closing performance for Liz McCarthy’s Imperfect Players on Saturday, November 22nd, from 5:30-6:00pm.
________
Imperfect Players is a collection of ceramic vessels that can be performed as musical instruments and accompanied by drawings.
I worked at an auction house creating condition reports for fine and decorative art. These objects were valuable for their aesthetic, craft, and cultural histories. I often studied ceramic vases closely and under a black light to find the imperfections: cracks, chips, and many networks of hidden repair. They had their own material stories in the flaws of their production and accumulation of wear. These imperfections degraded their value, but also served as evidence of their authenticity.
I am a similar vessel. My human body has sustained physical and psychological changes and damage, and I hold that with me as I function day to day. Especially after giving birth to my child, I was very aware of dramatic shifts to my mind and body, and I struggled to perform as I once did. Imperfect Players is a response to that corporal rift. These forms are adorned with their own broken and fused pieces, just as I hold onto memories and my material body holds scars and strain of the past. Although broken, these vessels are also instruments that can be played to make musical sounds.
Imperfect Players celebrates imperfect and broken vessels that disrupt the idealized form, and still function as instruments in the world.
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Golden Hour at Epiphany:
Stop by Epiphany for Golden Hour beforehand for free live music, drinks and lite bites in the Café Bar! Doors open at 5pm with 1/2 priced bottles of wine and other specials until 7:00pm
Golden Hour Menu + Music Schedule
Please note that outside food or beverages are not permitted in the venue.
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December 2025
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Attend the opening reception for Jordan Porter-Woodruff’s The Children Play Games on Sunday, December 14th, from 2:00-5:00pm. In The Children Play Games, the
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Attend the opening reception for Jordan Porter-Woodruff’s The Children Play Games on Sunday, December 14th, from 2:00-5:00pm.
In The Children Play Games, the artist explores the fragile relationship between play, perception, and imagination through a lens that intertwines past memories, present realities, and future possibilities. The show invites viewers to reflect on how children engage with their world in an age where Artificial Intelligence and deep Internet culture increasingly shape their experiences and understanding. By juxtaposing traditional play with AI-infused elements the artist creates a dialogue about the shifting boundaries of authenticity and creativity in childhood.
Today’s children grow up alongside intelligent machines while immersed in an endless, unfiltered digital stream. Their minds are trained to scroll and react, often at the expense of slower, tactile forms of play that once nurtured fine motor skills, independent thought, and imaginative problem-solving. Algorithmic feeds promise limitless information but leave little room for open-ended discovery, offering access without the depth of true exploration.
Artificial Intelligence sharpens this dilemma by performing acts of invention that once belonged to the developing mind. From generating pictures to completing stories, AI delivers finished creations that bypass the frustration—and growth—of making something from nothing. When creativity is outsourced to algorithms, children risk becoming consumers of novelty rather than creators of it, spectators to a simulation of imagination that demands nothing of their own.
Against this backdrop, The Children Play Games seeks to reclaim the essential terrain of imagination. Each photograph functions as a portal into a dreamlike, yet critical space where the physical and digital coexist without clear hierarchy. By inviting viewers to step into these constructed realities, the exhibition calls on society at large to consider how we might safeguard environments that sustain curiosity, protect the vital connection between mind and hand, and empower the next generation to shape worlds of their own making rather than surrender to those designed for them.
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Golden Hour at Epiphany:
Stop by Epiphany for Golden Hour beforehand for free live music, drinks and lite bites in the Café Bar! Doors open at 5pm with 1/2 priced bottles of wine and other specials until 7:00pm
Golden Hour Menu + Music Schedule
Please note that outside food or beverages are not permitted in the venue.
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Attend the opening reception for Every Man is an Island by Natasha Moustache on Sunday, December 14th, from 2:00-5:00pm. Metaphysical poet John Donne famously wrote, “No man
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Attend the opening reception for Every Man is an Island by Natasha Moustache on Sunday, December 14th, from 2:00-5:00pm.
Metaphysical poet John Donne famously wrote, “No man is an island, entire of itself,” in his 1624 meditation on the interconnectedness of humanity. In Every Man is an Island, artist Natasha Moustache turns this idea inward, asking what it means to exist both within and apart. To belong to a place that embodies solitude and connection at once.
The Seychelles Islands, an archipelago of 115 islands scattered across the Indian Ocean, embody this paradox. In Moustache’s black and white photographs, the island emerges not as a place apart, but as a living communion of body and spirit, humanity and nature, self and divine. Each image becomes a quiet testament to the ways in which life here is interwoven with the elements — water, wind, light, and faith.
Within this constellation of islands, humanity is held tenderly by the microcosm of the islands themselves, a mirror reflecting the vast, interconnected universe beyond.
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Golden Hour at Epiphany:
Stop by Epiphany for Golden Hour beforehand for free live music, drinks and lite bites in the Café Bar! Doors open at 5pm with 1/2 priced bottles of wine and other specials until 7:00pm
Golden Hour Menu + Music Schedule
Please note that outside food or beverages are not permitted in the venue.
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Attend the opening reception for Black Female Presence with Shane-Jahi Jackson on Sunday, December 14th, from 2:00-5:00pm. The image of Black women in Western Art is one
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Attend the opening reception for Black Female Presence with Shane-Jahi Jackson on Sunday, December 14th, from 2:00-5:00pm.
The image of Black women in Western Art is one riddled with stereotypes, racial
mythologies, visions of servitude and sexual transgressions.
In 1994, Harvard’s Dubois Institute began a research project which later birthed seven volumes on The Image of the Black in Western Art by Harvard’s scholar Henry Louis Gates and David Bindman. All volumes document in detail the fate of ‘black presence’ in European Art and how it historically served to relegate blackness as the extreme opposite of white superiority.
This exhibition continues in the same vein but removes all references to European Art to focus squarely on the Black female model and not as a tool to reaffirm European representational superiority and Christian morals about the body.
Shane-Jahi Jackson’s, Black Female Presence, evades providing the viewer an instructional manual on how to interpret his series of semi-nude figurative paintings of Black women. His “no comment stance” is a deliberate one that resists the impulse to qualify or explain the why of these paintings. Instead, he demands that the viewer have the same reaction or sentiment of awe and the sublime upon seeing Botticelli’s Renaissance painting on the Birth of Venus for the first time without erotizing the image.
The ensemble of works posits the idea that Black women can also be a portal to the Universal and invites the viewer to leave their cliches, biases and judgement at the door.
Shane-Jahi celebrates these women.
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Golden Hour at Epiphany:
Stop by Epiphany for Golden Hour beforehand for free live music, drinks and lite bites in the Café Bar! Doors open at 5pm with 1/2 priced bottles of wine and other specials until 7:00pm
Golden Hour Menu + Music Schedule
Please note that outside food or beverages are not permitted in the venue.
RSVP Now
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Attend the opening reception for Hope Is the Last Thing by Rebecca Keller on Sunday, December 14th, from 2:00-5:00pm. The works in this
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Attend the opening reception for Hope Is the Last Thing by Rebecca Keller on Sunday, December 14th, from 2:00-5:00pm.
The works in this exhibition are inspired by Epiphany Center for the Arts’ history as a church building, especially the dedicatory plaque hung around the corner in the hall. The grey and white text-based paintings are inspired by the plaque’s color and shape. But while these paintings initially evoke banal, cliched, vaguely uplifting “word art” in vacation rentals and hotels, the language in them quickly veers into denser, darker, trickier, more complicated interpretations.
Though intended to seem like ‘old sayings’ all the texts are original. They are inspired by Emily Dickinson’s “Hope is a thing with feathers” and the Greek myth of Pandora, who opened a forbidden chest and allowed all the evils in the world to fly out. Panicked, she slammed the chest closed, shutting the gift of hope inside.
The themes of wings, flight and transcendence are continued in the images of birds and boats. Traditional iconography in Christian churches, such images are metaphors for faith and belief. Here again, tropes associated with lightness and beauty reveal their darker side as the birds (our stand-ins?) are sometimes in danger, or in anguish, and boats drift unmoored, without direction. But others float or fly past, unconcerned and unaware.
These works refer to the difficulty of maintaining hope, and the insistence that we keep trying anyway. They call to mind the pain of distress as well as the possibility of grace.
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Golden Hour at Epiphany:
Stop by Epiphany for Golden Hour beforehand for free live music, drinks and lite bites in the Café Bar! Doors open at 5pm with 1/2 priced bottles of wine and other specials until 7:00pm
Golden Hour Menu + Music Schedule
Please note that outside food or beverages are not permitted in the venue.
RSVP Now
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Please let us know if you can make it to the event.
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November 2025
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