Hayden Pedigo
Event Details
Hayden Pedigo with The Slaps (Acoustic)
Date: Sunday, December 1st, 2024
Doors: 7PM
Showtime: 8PM
Tickets: $20- Advanced | $25- Day of Show
‘Service charges apply to ALL ticket purchases (online and box office)’ - Credit card only at door
About Hayden Pedigo:
Something happened. Between the summer of The Happiest Times I Ever Ignored and the night before Christmas Eve 2023, the music of Hayden Pedigo transformed. Back-to-back months of touring lead to incredible outcomes: First, his chops became more finely honed than ever before, lending a precision and versatility to the songs that would surprise even the most-seasoned Pedigo listener. Second, Hayden lived in these songs, translating them through improvisation and dynamic exploration into emotional juggernauts – instrumental music that sings to the audience.
Landing in his hometown of Amarillo, Texas for the holidays to perform at The Amarillo Globe-News Center – home of the Amarillo Symphony – a gorgeous and beguiling set was recorded in front of a crowd of nearly five hundred people. Put to tape by Nathan and Joe Luscombe, mixed by Davis Hart, and mastered by Stephan Mathieu, Mexican Summer proudly presents Hayden Pedigo’s Live in Amarillo, Texas, an album that could one day be mentioned in the same breath as John Fahey's The Great Santa Barbara Oil Slick and Townes Van Zandt's Live at the Old Quarter.
About The Slaps:
As proven on their strange and beautiful new album Mudglimmer, the looming specter of artistic oblivion pushed The Slaps to lean into their idiosyncrasies: snaking rhythms, complicatedly interlocking guitar riffs, grubby yet alluring poetry, and homespun post-modern Americana sing-alongs all surge with a free-wheeling improvisatory verve informed by free jazz. It’s a stunning DIY comeback story, a doubling-down on avant-garde impulses that pays immediate dividends.
Spontaneous composition and earnest, threadbare folk collide on Mudglimmer. It’s a marvel of influential synthesis, evoking Slint’s comfortability with ominous tension (“Mudglimmer”), Tortoise’s slinky push-pull grooves (“Filthy Sex Manuevers”), Waxahatchee’s slice-of-life Americana gems (“Flip”), elliptical funk-punk a la The Minutemen (“Forward”), minimal grunge-pop in the vein of Sebadoh (“King”) and so much more.
Mudglimmer, in short, rips. Faced with existential threats, The Slaps reconfigured and reenergized — finding purpose, not in reaching for a brass ring, but in becoming fully, unashamedly, their own wonderfully confounding thing.
